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Attention Bass Player Magazine Readers: Click Here For “Theory In Practice”
Instructional Materials:
| Title |
Date Added |
View |
| Walking Bass Topics with Hamilton Pinheiro, Part 1 |
March 29, 2022 |
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| Walking Bass Line Theory Basics Part 1 |
March 29, 2022 |
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| Walking Bass Line Examples and Analysis |
March 29, 2022 |
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| Tritone Substitutions |
March 29, 2022 |
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| Study Method – Repertoire and Improvisation |
March 29, 2022 |
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| Slash Chord Interpretation |
March 29, 2022 |
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| Rhythm Changes Continuum |
March 29, 2022 |
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| Repertoire List |
March 29, 2022 |
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| Organic Harmony and Changing Tones |
March 29, 2022 |
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| Minor iiØ-V7alt-i Tonality studies |
March 29, 2022 |
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| Cast of Harmonic Characters (Traditional) |
March 29, 2022 |
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| Cast of Harmonic Characters (Jazz) |
March 29, 2022 |
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| Changes Comparison from different Fakebooks |
March 29, 2022 |
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| Blues Harmonic Continuum |
March 29, 2022 |
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| Basic Rootless Piano Voicings |
March 29, 2022 |
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Bass Gear Magazine Articles:
| Title |
Date Added |
View |
| The Four Seasons: Aging Gracefully as a Bassist Part 2 |
March 29, 2022 |
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| “The One” High-pass filtering in double bass amplification and the “Fdeck” HPF-Pre |
March 29, 2022 |
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| The Four Seasons: Aging Gracefully as a Bassist Part 1 – Setup |
March 29, 2022 |
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| Stand Down or Sit Up: Posture Issues All Bassists Must Deal With |
March 29, 2022 |
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| Size Matters – A Decidedly Non-technical Review of the MAS Big E 4×5 Bass Cab |
March 29, 2022 |
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| Shell Voicings for Bass, Part 2: Voice Leading Principles |
March 29, 2022 |
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| Review: Headway EDM-1 and EDB-2 Preamplifiers |
March 29, 2022 |
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| Pickup/Mic Blending Overview – Part 2 |
March 29, 2022 |
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| Pickup/Mic Blending Overview (Part 1 of 2) |
March 29, 2022 |
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| Pickup Lines: Making the Most of Your Imperfect Pickup Signal |
March 29, 2022 |
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| Physical Tone Production on the Double Bass, Part 2: Left Hand Shape, Fingertips, and Pads |
March 29, 2022 |
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| Physical Tone Production on the Double Bass, Part 1: Leverage and the Left Hand |
March 29, 2022 |
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| Review: PJB Super Flight Case Combo |
March 29, 2022 |
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| Nick Lloyd Upright Bass |
March 29, 2022 |
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| Laying Down a Solid Foundation – Bass Gear’s First Recordings |
March 29, 2022 |
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| Review: Headway EDG-1 Preamp/Blender |
March 29, 2022 |
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| Bassic Review – Grace Design FELiX Instrument Preamp Blender Pedal |
March 29, 2022 |
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| Fly Me To The Moon (Shell voicing example) |
March 29, 2022 |
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| Ear Trumpet Labs Nadine Mic |
March 29, 2022 |
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| Shell Voicings for Bass, Part 1 |
March 29, 2022 |
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| String Theory (the signal chain begins here) |
March 29, 2022 |
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| Acoustification: The Hybrid Sound |
March 29, 2022 |
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