ARTICLES INSTRUCTIONAL MATERIALS: Basic Rootless Piano Voicings Blues Harmonic Continuum Changes Comparison from different Fakebooks Cast of Harmonic Characters (Jazz) Cast of Harmonic Characters (Traditional) Minor iiØ-V7alt-i Tonality studies Organic Harmony and Changing Tones Repertoire List Rhythm Changes Continuum Slash Chord Interpretation Study Method – Repertoire and Improvisation Tritone Substitutions Walking Bass Line Examples and Analysis Walking Bass Line Theory Basics Part 1 Walking Bass Topics with Hamilton Pinheiro, Part 1 BASS GEAR MAGAZINE ARTICLES: Acoustification: The Hybrid Sound String Theory (the signal chain begins here) Shell Voicings for Bass, Part 1 Ear Trumpet Labs Nadine Mic Fly Me To The Moon (Shell voicing example) Bassic Review – Grace Design FELiX Instrument Preamp Blender Pedal Review: Headway EDG-1 Preamp/Blender Laying Down a Solid Foundation – Bass Gear’s First Recordings Nick Lloyd Upright Bass Review: PJB Super Flight Case Combo Physical Tone Production on the Double Bass, Part 1: Leverage and the Left Hand Physical Tone Production on the Double Bass, Part 2: Left Hand Shape, Fingertips, and Pads Pickup Lines: Making the Most of Your Imperfect Pickup Signal Pickup/Mic Blending Overview (Part 1 of 2) Pickup/Mic Blending Overview – Part 2 Review: Headway EDM-1 and EDB-2 Preamplifiers Shell Voicings for Bass, Part 2: Voice Leading Principles Size Matters – A Decidedly Non-technical Review of the MAS Big E 4×5 Bass Cab Stand Down or Sit Up: Posture Issues All Bassists Must Deal With The Four Seasons: Aging Gracefully as a Bassist Part 1 – Setup “The One” High-pass filtering in double bass amplification and the “Fdeck” HPF-Pre The Four Seasons: Aging Gracefully as a Bassist Part 2
